:00:00
Well, I'm sure I don't know
what you mean.
:00:02
Well, you're certain the treasure is real,
despite what anyone else thinks.
:00:07
No, but I hope it's real.
:00:08
I mean, I've dreamt it's real
since my grandfather told me about it.
:00:13
But I want to hold it.
I feel like I'm so close, I can taste it.
:00:16
But I just... I just want to know it's not just
something in my head or in my heart.
:00:24
People don't really talk that way, you know.
:00:27
I know. But they think that way.
:00:36
Hey.
:00:37
- Did you get it? Riley?
- Oh, I got it.
:00:39
"The vision to see
the treasured past comes
:00:43
as the timely shadow crosses
in front of the house of Pass and Stow. "
:00:48
Now, "Pass and Stow", of course,
referring to...
:00:51
- The Liberty Bell.
- Why do you have to do that?
:00:54
Well, John Pass and John Stow
cast the bell.
:00:56
OK. Well, then, what does
the rest of this mean?
:00:59
Wait... "The vision to see the treasured
past" must refer to a way to read the map.
:01:04
Well, I thought the cipher was the map.
:01:06
No, the cipher was a way
to find the way to read the map.
:01:08
And the way to read the map can be found
:01:10
where the "timely shadow" crosses
in front of the Liberty Bell.
:01:15
Crosses in front of the "house"
of the Liberty Bell. Independence Hall.
:01:18
Right, so "timely shadow" -
it's a specific time.
:01:22
- Right.
- What time?
:01:24
What time? What time?
:01:27
Wait a minute, wait.
You're gonna love this.
:01:30
Excuse me, can I see one of those
hundred-dollar bills I paid you with?
:01:34
No.
:01:36
Oh. Well, here,
I have this diver's watch.
:01:39
It's called a Submariner. I dive with it.
It's actually quite valuable.
:01:42
- You can use it as collateral.
- Whatever.
:01:44
Thank you.
:01:45
On the back of a hundred-dollar bill
is an etching of Independence Hall
:01:48
- based on a painting done in...
- Hello.
:01:50
Thank you.
... in the 1780s, who...
:01:52
The artist was actually a friend
of Benjamin Franklin's. It's wonderful.
:01:55
- Fascinating.
- Hold this.
:01:57
OK.
:01:59
I'm not going anywhere.