1:30:00
- This next exchange of lines comes fast.
- Why?
1:30:03
We want to get to the murder
faster than they expect.
1:30:06
How can I say things like,
"While I say one prayer," fast?
1:30:08
No, you're not in charge
of this part of the scene, the Moor is.
1:30:11
The Moor says his lines fast. You have
to slap your words in as fast as you can.
1:30:15
- Go.
- Alas, he is betray'd, and I undone!
1:30:17
Out, strumpet!
Weep'st thou for him to my face?
1:30:19
O, banish me, my lord, but kill me not!
1:30:21
- Down, strumpet!
- Kill me tomorrow!
1:30:23
- Nay, if you strive...
- But half an hour!
1:30:25
- Being done, there is no pause.
- But while I say one prayer!
1:30:27
It is too late.
1:30:33
See what comes out of rehearsal?
1:30:39
- I had planned to scream anyway.
- Good for you.
1:30:43
Throw me on the bed, kill me.
1:30:45
- No.
- We have to finish this off.
1:30:47
Save something for the moment.
1:30:49
Always do something different than you
planned. Good to throw yourself a bit.
1:30:53
Recall what we've done to this point.
1:30:55
Then when you die...
1:30:59
...surprise me.
1:31:03
But how do I know
Mr Betterton will do as you have done?
1:31:05
You don't. Because he won't.
1:31:14
- Right, ready to go?
- Yes. I'm playing the Moor.
1:31:18
- I beg your pardon?
- Mrs Hughes insists.
1:31:20
- Mrs Hughes?
- I do.
1:31:22
But does he even know the part?
1:31:24
- Yes, he knows it.
- Right, now I'll need bootblack.
1:31:27
- I have bootblack.
- With you?
1:31:29
A scuff, sir, is a dreadful thing.
1:31:31
Now, out, all of you.
1:31:51
Mr Kynaston.
1:31:52
My thanks.