:44:01
Take it. Take it.
:44:06
And these. Take these.
:44:08
Take them all.
:44:10
Please go, OK ? Just go.
:44:13
Thank you, Ollie.
:44:17
Take care.
:44:36
I'm here.
:44:37
Is this why you wanted
to meet me here ?
:44:39
I thought
it would be safer this way.
:44:43
How's Thelma doing ?
:44:44
I can't give you Bannister,
and you know I can't.
:44:48
It's unbelievable,
when you think about it.
:44:52
One in twenty of these people
has an implant.
:44:55
How will that baby remember
his mother years from now ?
:44:58
Will he remember the special
moments between them,
:45:01
or moments someone like you
decides are special ?
:45:05
My job is
to help people remember
:45:06
what they want to remember,
Fletcher.
:45:08
Ah. Oh, that's noble.
:45:11
But I don't think you understand
the scope of the damage.
:45:14
There is no way to measure
:45:15
the profound effect
the Zoe implant has had
:45:18
on the way
people relate to each other.
:45:20
"Am I being filmed ?
Should I say this or not ?
:45:22
"What'll they think in 30 years
if I do this or that ?"
:45:26
What about the simple right
not to be photographed ?
:45:28
The right not to pop up
in some guy's Rememory
:45:30
without even knowing
you were being filmed ?
:45:32
I didn't invent the technology.
:45:34
If people didn't want it,
they wouldn't buy it, Fletcher.
:45:36
It fulfills a human need.
:45:38
Alan, you take murderers
and make them saints.
:45:41
That's why we need
Charles Bannister.
:45:43
He was a public figure
for EYE Tech,
:45:45
their star attorney,
:45:46
well respected,
loved his family,
:45:47
gave to charity, and if
you get through with him,
:45:50
that's all
anyone will ever know.
:45:52
But Bannister is
the first EYE Tech employee
:45:54
whose implant has left
the confines of the corporation.
:45:57
His widow fought for that.
:45:58
We know she's hiding something
about him and his daughter,