:15:07
"No, you wouldn't."
:15:10
Here we go, the Panic Room shot.
:15:12
Down into the cockpit of Thunderbird 1.
:15:17
There they are.
:15:20
Good time to mention Brendan Galvin,
our wonderful director of photography,
:15:26
also, as you can see,
completely unafraid of colour.
:15:32
He embraced early on, as did John Beard,
:15:37
this concept of primary colours.
:15:39
The ships not only would be painted these colours
:15:44
but also the lights that we used on the actors
could also be, as you saw...
:15:48
This is blue, this is Thunderbird 1.
:15:51
When we get into Thunderbird 2 you'll see green.
:15:58
Useful Companies did all these graphics
that we used as inserts through the film.
:16:03
Here we go.
:16:08
It's a plot point.
:16:15
Exactly what I was thinking.
:16:23
And who is that connected to?
:16:27
Again, Framestore with the fabulous added sunset.
:16:37
The essential father-son setup scene.
:16:45
The coming of age is very big in this film.
:16:53
Well played by both actors.
:16:58
Frustration of a teenager