:19:03
and I was the one who got to benefit.
:19:08
Paxton, Tony Edwards, Sir Ben -
:19:13
so incredibly filmmaker-friendly - Ron Cook,
:19:16
because they've had great experience,
:19:19
they're consummate professionals,
they're old school.
:19:24
They come to the set in the morning, ready to work
:19:27
and they stay on the set until they're called.
:19:30
And it's a real treat to be around.
:19:36
Two men in blue glasses who stutter.
Who'd have thunk it?
:19:40
There's a crab that didn't cooperate very often
but I did get him in the shot.
:19:44
Here's the beautiful Seychelles islands
on a good day.
:19:49
They weren't all quite like this.
:19:52
But as you can see from the sand
and from the azure blue sea,
:19:58
after much scouting,
:20:03
I think we chose the right location.
:20:06
We originally went to Cape Town
:20:07
and worked up the South African coast to Durban.
:20:10
We then checked out the beaches in Australia
and went to Lord Howe Island,
:20:16
which is about 300 miles off the coast of Sydney.
:20:20
Here are The Hood's sidekicks.
:20:25
Transom, the beautiful Rose Keegan,
:20:31
and Mullion, Deobia Oparei.
:20:35
Wonderful sidekicks, I think.
:20:38
Again, tone, tone, tone.
:20:42
Scary, yet not terrifying.
:20:45
Physically varied
:20:48
and, again, the use of light and colour.
:20:51
This is the inside of The Hood's sub.
:20:54
And the first example of The Hood's mind power.