:26:02
That's gotta hurt.
:26:05
Glenn Freemantle, our sound designer -
an absolute genius.
:26:09
Again, given the brief that what we needed to do
was create a tone...
:26:17
almost a comic book tone. There are
frying pan jokes here, there's neck cracking.
:26:23
There's some wonderful stuff in this sequence,
:26:26
where the sound helped us keep the tone light.
:26:35
Here's the plot point.
:26:44
This whole sequence was challenging
:26:46
in that we have three sets, essentially,
to keep alive.
:26:50
Jeff's office
turns into the Command and Control Centre.
:26:54
The kids have just crawled into the vents
with the hope of saving the day
:27:00
and Jeff and the boys are trying to survive
in outer space on Thunderbird 5.
:27:06
So in this reel of the film,
:27:09
we have to keep the audience informed
of where our three stories are taking place
:27:13
and yet intercut them in a way that's not confusing.
:27:19
Here we took the opportunity
:27:22
to poke a little fun at the original Thunderbirds,
as you'll see.
:27:45
Shameless laugh!
:27:49
Again, you can see how the sound design
helped the visual effects design.
:27:54
The cat eyes, that we put in in postproduction,
:27:56
obviously, were to
signal when The Hood was using his powers.