:30:03
The idea of watching an actor of this calibre play
was quite a treat.
:30:09
My job was just to point the camera
in the right direction.
:30:12
And from this "play", as he referred to it,
:30:16
we found this wonderful, mad version of The Hood,
:30:20
who had a physicality
that was offbeat and strange -
:30:25
vocalisation,
vocal rhythms that were unpredictable.
:30:31
Look at this little performance.
:30:34
Soren Fulton - wonderful actor. 11, 12...
:30:48
Like this. Get a load of this move.
:30:57
Absurd and yet appropriate.
:31:01
OK, so we've got the Tracys...
:31:07
in jeopardy in space.
:31:17
I always cut with the explosions.
:31:23
What was that?
:31:29
Look out...
:31:41
Added dialogue -
"We can get through to the silos".
:31:44
Again, it was not clear
where they were going, so it's...
:31:48
It's very interesting how you can clarify a story
:31:52
by adding dialogue off camera
while you're on someone else's shot.