:38:05
I think, in hindsight, we all realised that
it's hard enough to make a movie.
:38:10
It's harder to make one on location.
:38:13
It's even harder to make one on location with kids.
:38:16
It's even harder to make one on location
with kids and visual effects,
:38:19
so what we will do on the next one,
if there is one, is shoot simpler stuff first on sets
:38:28
with a limited number of visual effects.
:38:32
And as the team gets to know each other,
:38:40
the pace at which the machine moves
:38:47
becomes better and better oiled.
:38:51
By starting in the Seychelles
in the middle of the Indian Ocean, on the equator
:38:55
with 200 people, some of whom had never met...
:39:00
It takes time...
:39:02
It takes... Things need to gel.
:39:08
So I think we would have reversed it -
shot on the sets and then finished on location.
:39:13
This is the beautiful Cliveden manor,
the home of the Astors, outside of London,
:39:20
which we were lucky enough
to get as the location for
:39:23
Lady Penelope Creighton-Ward's mansion.
:39:27
Again, colour. Get a load of this set.
:39:34
Ron Cook.
:39:37
Perhaps the most physically like
the marionette that he is playing.
:39:46
When we were auditioning actors,
it was one of the...
:39:51
One of the real treats was
that there were eight or ten actors
:39:55
who could have played Parker wonderfully.
:39:59
And Ron Cook somehow nailed it,