1:32:03
Right now we're making up cables,
custom cables for each camera.
1:32:08
We've got one of Don's...
What kind of mike is that?
1:32:12
Active.., a 48-volt mike,
which is a supercardioid pattern.
1:32:16
Check, check, check.
Check, check, check one, two.
1:32:19
Check on this side, right,
check on left side.
1:32:22
Check. Check.
1:32:24
When those motorcycles turn on,
it's loud. Loud!
1:32:28
We're yelling right now
1:32:29
because we've got a bunch
of loud motorcycles back here.
1:32:31
So we're just checking the levels,
and see how they're doing.
1:32:35
How's that?
1:32:36
These cameras have a lot of switches
that need to be in the right places,
1:32:38
we discovered.
1:32:39
Right.
1:32:40
What would Scorsese do?
Talk real fast. We know that.
1:32:44
You know, Joe Pesci, he hit
all these guys in the head with a shovel.
1:32:47
Not bad.
1:32:48
Not bad. But where we gonna
get Joe Pesci, let alone a shovel?
1:32:54
Editor... Dana Brown.
1:32:56
He's trying to cover up Matzinger,
which I got it.
1:32:59
I still got...
I can still make out Matzinger.
1:33:06
Do you mind?
1:33:07
With the constant...
the constant paparazzi trip.
1:33:10
Like a candid camera.
1:33:11
You know what you do?
You can fix your hair in this thing.
1:33:14
Hey, there's a camera
behind that big piece of glass.
1:33:18
Dana's crazy. This is the biggest,
craziest movie ever made.
1:33:25
Ever.
1:33:37
Sorry man, I'm just going, "Whoa,
I'm gonna knock that guy on his butt. "
1:33:39
I saw.
1:33:40
Yeah, well, you only missed him
by about 12 inches.
1:33:43
Yeah?
1:33:44
What were you shooting,
Herr producer?
1:33:46
We were shooting a little place
called Valle de Trinidad.
1:33:52
- See all that spit fly like that?
- Yeah. Yeah.
1:33:55
That's the effect that I have.
1:33:56
Who said there wasn't special effects
on this movie?
1:33:58
Yeah, is that...