:50:04
And when at last she came,
:50:07
she simply walked past.
:50:11
She scarcely looked at me.
:50:19
It's a good thing
I don't like her any longer.
:50:23
At about this same period,
Oda Lasson has told Hans Jæger
:50:28
that she is becoming emotionally
involved with Christian Krohg.
:50:36
When I try to live according to
what I think is right for me
:50:41
and try to find my freedom
and live according to my rules,
:50:48
the only thing the bourgeoisie
interest themselves in
:50:52
is how many love affairs I have.
:50:57
Only my friends look at
and talk about what I do,
:51:04
about my paintings.
:51:10
She began to talk about how
he had not greeted her on the street,
:51:15
that she was just as good
as other ladies.
:51:19
Look at Mrs. Pettersen
who went with the lieutenant to Paris.
:51:23
It made him shudder to hear
the affection with which she spoke.
:51:35
At first, Munch adds
:51:36
domestic details to the periphery
of the painting,
:51:40
such as a chair, a glass, a bottle,
:51:42
a flowerpot on a window
and curtains.
:51:45
Then, slowly, over the months,
:51:49
he begins to remove these details,
:51:52
concentrating more and more
on the head of his sister.
:51:56
Munch's affair with Mrs. Heiberg
is already deteriorating.