:07:04
Her mouth was big.
She could be ugly.
:07:10
In my article in the Mercure de France
:07:13
Albert Aurier, critic.
:07:15
I refer to this work by Gauguin.
:07:18
I explain that it is the duty
of the new artist to choose between
:07:24
the numerous elements
which make up objectivity.
:07:27
He is also entitled to distort, to emphasize,
to exaggerate line, form and colour
:07:36
in accordance with his personal vision
:07:39
and individual subjectivity.
:07:42
Nice, 1891.
:07:45
Two lovers, their faces
dissolved together, featureless,
:07:50
lurk in the corner of a room.
:07:53
Perspective has vanished.
:07:55
Broken, slashing strokes
of thin paint.
:07:59
The breakthrough has begun.
:08:04
She was affected, a liar and a whore!
:08:13
The affair between Oda Krohg and
Jappe Nilssen is now at crisis point.
:08:18
Jappe wants his relationship
to be clearly defined.
:08:22
She, still married,
feels differently.
:08:26
Jappe is now taking drugs
and has threatened to kill himself.
:08:32
There seem to be rules demanding
that women sacrifice themselves.
:08:42
The best thing one can say about
a woman is that she is self-sacrificing.
:08:50
I can't put up with it anymore.
:08:54
I am so fond of her but
why is she so angry with me?