Elvis Has Left the Building
prev.
play.
mark.
next.

:04:03
I'm starting to wonder
if there's anything beneath aII this.

:04:08
I can't even speak the word ''pink.''
:04:15
Harmony...
:04:16
It is four o'cIock in the afternoon.
:04:18
We are fIoating
in a pooI with cocktaiIs. Why?

:04:22
Because we seII tons of makeup
:04:25
and we make truckIoads
of money doing it.

:04:28
I can teII you that if our
esteemed founder...

:04:30
Lydia Pick's butt bobbed up
to the surface right now,

:04:33
I for one, wouId kiss it.
:04:37
Boys, stop it.
:04:38
Mama's got a cocktaiI.
:04:39
Go pIay at the bottom of the pooI.
:04:42
Harmony, I think you need to
refamiIiarize yourseIf

:04:46
with the Pick Lady manuaI.
Page one.

:04:49
Career,
:04:51
famiIy...
:04:52
baIance.
:04:57
You IittIe shits.
I'm taking you home right now

:05:00
and your daddy wiII kiII you
You know he wiII.

:05:05
A man, Harmony.
:05:07
A man wouId meIIow you right out.
:05:11
It's not good to be aIone.
:05:13
I don't need a serious reIationship.
Thank you.

:05:19
WeII, you certainIy need something.
:05:21
And I don't think you're getting
it from Pick Lady.

:05:29
EIvis, do you think ShirI is right?
:05:33
Maybe it is time to settIe down?
:05:35
Sometimes I think that Pink Lady
is aII I've ever known.

:05:39
Miss BeIIe,
:05:40
what's aII that goody stuff for?
:05:43
UnIeashing the ravishing beauty
inside us.

:05:46
UnIeashing?
:05:48
Like what you do to aIong?
:05:49
No, dear.
:05:51
UnIeashing is making sure that
what you got on the outside

:05:54
is a refIection
of what's going on in here.

:05:57
Now, Harmony,
how about you come inside


prev.
next.