:39:01
I must be a spirit
in the wilderness.
:39:06
With himself as the central character,
:39:09
he began to craft his own movie,
:39:12
something way beyond
the wildlife film.
:39:15
There is going to be a number of takes
I'm gonna do.
:39:18
These are called
"Wild Timmy Jungle Scenes."
:39:20
We're gonna do
several takes of each
:39:22
where I'll do it with a bandanna on,
maybe a bandanna off.
:39:26
Maybe two different
colored bandannas.
:39:28
Some without a bandanna,
:39:29
some with the camera
being held.
:39:35
I kind of stumbled.
Let's do it again.
:39:39
So the basic deal is that this stuff
could be cut into a show later on,
:39:43
but who knows what look I had, whether
I had the black bandanna or no bandanna.
:39:48
Very rarely the camo one,
but I like the camo look.
:39:55
Both cameras rolling. Both cameras rolling.
Both cameras rolling!
:40:00
Sexy green bandanna,
last take of the evening.
:40:04
I'm on my way to the creek.
I need to get water.
:40:06
And there's a super-duper low tide.
Full moon tonight, and action.
:40:10
In his action movie mode,
:40:12
Treadwell probably did not realize
:40:15
that seemingly empty moments
had a strange, secret beauty.
:40:20
Sometimes images themselves
developed their own life,
:40:24
their own mysterious stardom.
:40:39
Starsky and Hutch. Over.
:40:45
Beyond his posings,
:40:47
the camera was his only
present companion.
:40:51
It was his instrument to explore
the wilderness around him,
:40:55
but increasingly
it became something more.
:40:59
He started to scrutinize
his innermost being,