Habana Blues
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:16:00
What day do you Ieave?
:16:02
ln three weeks,
:16:04
more or Iess. Why?
:16:05
My mom might selI the apartment
to my cousin Betty.

:16:08
Where do I come in?
:16:11
You probabIy won't come back,
so we might seII it.

:16:14
Why probabIy?
:16:15
Why wouId you come back?
:16:17
Spain has anything you need.
:16:19
And Tito's dying to stay there.
:16:22
But if you're coming back,
we need someone to Iook after it.

:16:24
Your mom shouId selI it
if she wants to.

:16:27
Don't be a shithead.
:16:29
She said she'd selI it
if you planned to stay in Spain.

:16:32
It's not my probIem.
:16:39
Don't Iook at me that way.
:16:41
How?
:16:45
You know exactIy
how you're Iooking at me.

:16:48
Who cares?
:16:50
l do. I'm not your wife anymore.
Or did you forget?

:17:11
l'lI be frank with you guys.
:17:14
This contract,
:17:15
reIatively speaking, is crap.
lf you were established

:17:17
musicians you'd throw it back
in my face.

:17:20
But you're getting started
and it's reasonable.

:17:25
It lasts for three years.
During that time

:17:29
the company owns your work.
:17:31
-AIl of it?
-AIl of it.

:17:32
Nothing is done without
the company's consent.

:17:35
That has to be totalIy cIear.
:17:38
-You foIlow me?
-Get me out ofhere

:17:40
and I'Il foIlow you anywhere.
:17:43
From the moment we leave Havana,
and during the first six months,

:17:47
the company wiII take care of you.
In Madrid you'Il have

:17:50
room and board
and spending money.

:17:52
After six months,
you're on your own.

:17:55
With what money?
:17:56
Your cutof concert profits.
:17:58
What's our cut?
:17:59
25 percentthe first year.
Itgrows yearly up to 60 percent.


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