:17:00
You want to read a script?
:17:01
Jack Driscoll's turning in
a draft as we speak.
:17:06
Jack Driscoll?
:17:08
Sure. Why?
:17:09
Wait. You know him?
:17:12
No, not personally.
I've seen his plays.
:17:16
What a writer, huh?
And let me tell you, Ann...
:17:18
Jack Driscoll does not want just
anyone starring in this picture.
:17:21
He said to me, "Carl...
:17:23
"somewhere out there is a
woman born to play this role. "
:17:26
And as soon as I saw you,
I knew.
:17:31
Knew what?
:17:34
It was always
going to be you.
:17:48
How much do I owe you?
Make it a quarter.
:17:51
Keep the change.
:17:54
Is this
the moving picture ship?
:17:58
Not exactly.
:17:59
It's actually
this one over here.
:18:11
Don't let appearances deceive you.
It's much more spacious on board.
:18:17
Is this all of the equipment?
Yeah.
:18:18
This is all of it?
Yeah.
:18:20
We're taking the Bell & Howell? Yeah.
:18:21
Good. You got all the lenses?
Sure.
:18:24
Carl!
Yes!
:18:26
Get it on board, fellows,
come on.
:18:32
It's bad, it's bad.
:18:33
They're on their way.
I've just had word.
:18:35
Who?
Men in uniform.
:18:37
The studio called the cops.
:18:42
Englehorn! Cast off!
:18:44
Hoist up the mainsail,
raise the anchor...
:18:46
whatever the hell it is
you do. We gotta leave!
:18:48
I cannot do that.
:18:50
We are waiting
on the manifest.
:18:52
What? Who? English, please.
:18:55
Paperwork, Mr. Denham.
:18:58
I'll give you another $1,000
to leave now.