Melinda and Melinda
prev.
play.
mark.
next.

:43:05
And you?
:43:07
I don't write opera,
but my life has been one.

:43:11
I'm one of those heroines too high-strung
for existence on this planet,

:43:17
although I brought
my worst troubles on myself.

:43:19
I shouldn't have reached
so thoughtlessly for my dreams.

:43:23
We grab without thinking
because we're passionate people.

:43:26
I knew you were passionate
once we started talking.

:43:29
- How?
- How?

:43:32
Well, your eyes, your voice.
:43:34
I got a great instinct about people.
:43:37
You know, I do. It's a gift.
:43:39
Let me get right to the point.
Can I get to know you better?

:43:42
I gotta go back and play, but
could we have lunch, you know, or dinner?

:43:47
You can certainly have my number,
if that's what you're asking.

:43:53
Let me... I'll just get a pen.
:43:55
There you are.
:43:58
- I saw Mr Bud Silverglide.
- The mystery pianist.

:44:02
Mr Moonsong, Ellis Moonsong, this is Laurel.
:44:05
Laurel? I dated a Laurel.
She broke my heart.

:44:08
I wrote this piece of music and I dedicated it
to her hoping it would win her back.

:44:13
- Let me be the first to tell you, it did not.
- He composes serious music.

:44:17
You two should have a lot to discuss
cos Laurel gave concerts.

:44:20
Those days vanished with the lost chord.
:44:22
His opera was a big success at Yale
and they're doing the other one where?

:44:27
At the Santa Fe Opera House.
:44:30
It's great when it's stretched out
in front of you.

:44:33
Well, I wish I was as optimistic as you.
:44:36
- Well, I'll call you tomorrow.
- I'm busy tomorrow.

:44:39
- What's tomorrow?
- Well, then, I'll call you the day after.

:44:42
If you feel like it.
:44:50
What happened with you
and the swell dentist?

:44:54
He was very, very sweet.
:44:56
Very cute.
:44:58
But just not for me.

prev.
next.