:14:13
He's just changed altogether.
:14:16
He's changed from what he was.
He's not the same as what he was at first.
:14:19
- You don't even recognize him.
- No.
:14:21
About a year ago,
I saw him here in Sheffield at the City Hall...
:14:24
and I thought he was magnificent.
:14:26
You know, I thought
he just couldn't improve if he tried.
:14:28
Then the next thing that happened was...
:14:30
he went really commercial,
with this backing group.
:14:32
And I didn't like that very much.
:14:35
I don't know what he's trying to do.
:14:36
I think he's conceding, you know,
to some sort of popular taste.
:14:40
I think it's a bad thing.
I think he's prostituting himself.
:14:48
I don't think the spirit of the Dylan songs
has been portrayed with this...
:14:53
with this incredibly corny group behind him.
:14:58
I like his earlier records
as on his Freewheelin' LPs, etcetera...
:15:02
but this, I just can't stick.
:15:07
I found it rather boring.
:15:09
I found there was too much improvising
on his wretched harmonica.
:15:12
And he tended to lose the rhythm
on his guitar altogether at times.
:15:17
Hey, Mr. Tambourine Man,
play a song for me
:15:22
I'm not sleepy
and there is no place I'm going to
:15:28
Hey, Mr. Tambourine Man,
play a song for me
:15:33
In the jingle jangle morning
I'll come following you
:15:42
Though I know that evening's empire
:15:45
Has returned into sand
:15:47
Vanished from my hand
:15:49
Left me blindly here to stand
but still not sleeping
:15:56
My weariness amazes me
I'm branded on my feet