1:01:02
Passed this way an hour ago
1:01:06
With his friend, a jealous monk
1:01:11
I believe in giving credit where credit's due.
1:01:15
I don't think Dylan had a lot to do with it.
1:01:17
I think God,
instead of touching him on the shoulder...
1:01:21
he kicked him in the ass. Really!
1:01:24
And that's where all that came from.
He can't help what he's doing.
1:01:28
I mean, he's got the Holy Spirit about him.
1:01:31
You can look at him and tell that.
1:01:42
Well, I ride a mailtrain, baby
1:01:45
Can't buy no thrill
1:01:48
It Takes a Lot to Laugh,
It Takes a Train to Cry.
1:01:51
In fact, there was two versions of that cut.
The first version...
1:01:54
which turned up on bootlegs,
it was like a fast...
1:01:56
It was a much faster
and much more jivey version...
1:01:59
that sounded kind of a lot
like the other things that had been done.
1:02:04
What the fuck
are we doing with this song, man?
1:02:07
It's not such a terrible song to do.
1:02:09
Then he said, "Let's take a break".
1:02:10
And he sent everybody off. And he said
it was a lunch break or whatever.
1:02:14
People went out for an hour.
1:02:15
He was sitting alone
at the piano working over...
1:02:19
just play a few chords
and he'd scribble something down.
1:02:21
And they came back
and they did that other take...
1:02:24
after the lunch break and it was,
like the much slower, bluesier version...
1:02:27
you hear on the album,
and it's really changed the whole character...
1:02:30
and the feel of the song.
It was really, really nice.
1:02:41
Well, I ride on a mailtrain, baby
1:02:45
Can't buy a thrill
1:02:51
I'd like to know about
the cover of your album.
1:02:53
I'd like to know about...
1:02:55
the meaning of the photograph of you
and the wearing of the Triumph t-shirt.