:22:04
You're going to catch a cold,
lying in damp roads on dark nights.
:22:07
No, sir, I dress warm in this country.
:22:22
- I'm Phil Church.
- How do you do?
:22:25
- Sit down.
- Thank you.
:22:30
This is Smitty. We can talk in front of her.
:22:32
- How do you do?
- Have a drink?
:22:34
- Yes.
- Dum-Dum.
:22:37
Sit down.
:22:38
- Go on with your packing, honey.
- You bet.
:22:40
- Going away?
- Yeah, back to Cuba.
:22:43
It'd be nice if you'd give us all
the gory details first, though.
:22:46
- Gory details?
- Yes.
:22:47
You mean, the dead dog,
and the burning bathhouse?
:22:50
No, afterwards.
:22:52
- Nothing happened afterwards.
- But I dreamed...
:22:55
- Look, you're not tricking me, are you?
- No.
:22:57
You give me your word
that nothing happened.
:22:59
- My word.
- He's nuts.
:23:01
If you listen to him,
he'll have you nuts, too.
:23:03
You can laugh if you want to.
But I don't laugh at my dreams.
:23:07
Listen...
:23:08
I came all the way back from Cuba
after the second one...
:23:11
to try to make the Colonel see reason,
before it was too late.
:23:15
Because the third one's
the end on my schedule.
:23:22
This afternoon I had the third dream.
:23:25
How does he usually die in these dreams?
:23:28
He's all battered up. His throat cut.
:23:33
It's all kind of messy.
:23:34
Just the sort of death
you'd expect that slob to have.
:23:37
It'd be funny if it happened that way,
wouldn't it?
:23:40
No, it's funnier that it didn't. Hey, look.
:23:42
Are you sure he's all right?
How long ago did you leave him?
:23:46
Half an hour.
:23:47
It must have happened after you left.
:23:51
That's the end of him
as a possible gold mine.
:23:54
Now, we got to think about you.
:23:56
- Me?
- Yes.
:23:57
Why pick on me?
I can introduce you to a lot of rich people.