:58:02
I'm taking my marching orders
from Stephen.
:58:05
He seems to be satisfied
with this arrangement.
:58:08
Don't force any issues unless you want
to cause plenty of trouble.
:58:14
You've made it impossible for me
to do anything else.
:58:17
- You're very confident, aren't you?
- Yes.
:58:20
Because I know Stephen couldn't love
a girl like you.
:58:23
If he couldn't, he's an awfully good actor.
:58:26
What have you got to kick about?
:58:29
You've got everything that matters.
The name, the position, the money.
:58:34
My husband's love happens to mean
more to me than those things.
:58:38
Can the sob stuff, Mrs. Haines.
:58:40
You noble wives and mothers
bore the brains out of me.
:58:44
- I'll bet you bore your husbands, too.
- You're a hard one, aren't you?
:58:48
I can be soft on the right occasion.
:58:52
What did you expect me to do?
:58:55
Burst into tears,
and beg you to forgive me?
:58:58
Isn't that what you really came in here for?
:59:01
Not after seeing you.
You're more typical than I dared hope.
:59:05
Honey, that goes double. Get this.
:59:08
I'd break up your snug little roost if I could,
but I don't stand a chance.
:59:13
Don't think it's because your husband
isn't crazy about me.
:59:16
It's because he lets old-fashioned
sentiment put the Indian sign on him.
:59:21
I'm glad you understand the strength
of sentiment, Miss Allen...
:59:24
...because its beauty is something
you'll never know.
:59:31
This happens to be my room, Mrs. Haines.
:59:34
It's yours, yes, for the time being,
like everything else you've got.
:59:38
May I suggest, if you're dressing
to please Stephen, not that one.
:59:42
He doesn't like such obvious effects.
:59:44
Thanks for the tip. But when anything
I wear doesn't please him, I take it off.
:59:57
That's what she calls
meeting Mrs. Haines socially.