Phantom of the Opera
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made in 1927 with Gustav von Seyffertitz,
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and its 20th Century Fox remake in 1942,
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Dr Renault's Secret,
with George Zucco and J Carrol Naish.

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Leroux's travels
and experiences as a reporter

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are expressed in his fantastic narratives,
often written in journalistic prose.

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Leroux's other novels, full of
the occult and criminal detection,

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would make great movie melodrama,
particularly The Bleeding Puppet,

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where an inventor is wrongly guillotined
for the lurid murder of young women.

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But he has planned for this event
and his brain is transplanted after death

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into the body of his creation,
a humanoid automaton named Gabriel,

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and so pursues the vampirish nobleman
who is the true fiend.

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The Phantom of the Opera caused
no great stir when first published

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in an English translation
by Alexander Teixeira de Mattos.

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A new translation
by Lowell Bair appeared in 1990.

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Here's the review
from The New York Times

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of the de Mattos translation in 1911:
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"So long as it is a ghost story,
it holds the reader as ghost stories do."

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"But when the phantom
ceases to be a phantom

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and things begin to be accounted for,
one's interest sensibly weakens."

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"Moreover, do we ever forgive a writer
for cheating us into shudders?"

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"If we are introduced to a ghost,
let him be a ghost to the end, no less."

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"Despite these faults, however,
the book is effective."

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"It is a far cry, however, from the author's
thrilling Mystery of the Yellow Room

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to this elaborately constructed
melodrama."

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Leroux was also a playwright,
writing his first stage production in 1902.

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He founded a motion-picture production
company, La Société des Cinéromans,

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in 1911, with René Navarre,
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the portrayer of Fantomas, for whom
Leroux had already written two scenarios.

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Leroux broke the Cinéromans in 1922,
the same year he met Carl Laemmle.

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Red-bearded, Leroux was a gourmand
whose waistline increased with his fame,

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leading to obesity
and severe health problems.

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He lived to see
the Universal Phantom open in 1925,


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