:15:02
This is what everybody doesn't realise.
:15:05
Everything came from his imagination.
:15:07
It was not,
"Oh, I'll make her like so-and-so."
:15:10
He didn't do that.
It was his imagination.
:15:13
- Now for your present, Charlie.
- Oh, I don't want anything.
:15:17
Right now I have enough.
:15:20
Before you came,
I didn't think I had anything,
:15:23
but now I don't want another thing.
:15:26
- She's crazy.
- She doesn't mean it, really.
:15:29
If you ask me, I think
she's putting on, like girls in books.
:15:32
The ones who say they don't want
anything always get more in the end.
:15:36
(Wright) As far as the children,
especially the little girl,
:15:40
Edna May Wonacott
was absolutely fabulous for that role.
:15:44
The one girl who
had Uncle Charlie's number,
:15:47
even though she
didn't know what it was.
:15:49
She didn't trust this man.
She was not a trusting little girl.
:15:53
She just... She knew.
:15:56
There.
:15:58
Now the door.
:16:00
Right off. There. Huh?
:16:02
I'm not a baby anymore.
:16:04
Besides, that's Papa's paper.
:16:07
(O'Connell)
Actually, the young girl, I coached her.
:16:10
She had never done
anything before in her life,
:16:13
so I did coaching for her.
:16:15
I was up there the whole time
they were shooting all the exteriors.
:16:21
(Bogdanovich) The little girl
is a typical Hitchcock little girl
:16:24
with the glasses.
:16:26
Seems like all the daughters
in Hitchcock's pictures wear glasses
:16:29
and they're all
very brainy and intelligent.
:16:34
Much more than the little boy,
who's very much a little boy.
:16:40
There was no prima donnas on the set.
:16:43
It wasn't a glamour picture, a picture
where everybody had to look good.
:16:47
It had a more realistic feel
than many of Hitchcock's pictures,
:16:50
than maybe any of his pictures
except, perhaps, The Wrong Man .
:16:55
(Charlie) I have a feeling
that inside you somewhere,
:16:59
there's something nobody knows about.