:16:00
Right off. There. Huh?
:16:02
I'm not a baby anymore.
:16:04
Besides, that's Papa's paper.
:16:07
(O'Connell)
Actually, the young girl, I coached her.
:16:10
She had never done
anything before in her life,
:16:13
so I did coaching for her.
:16:15
I was up there the whole time
they were shooting all the exteriors.
:16:21
(Bogdanovich) The little girl
is a typical Hitchcock little girl
:16:24
with the glasses.
:16:26
Seems like all the daughters
in Hitchcock's pictures wear glasses
:16:29
and they're all
very brainy and intelligent.
:16:34
Much more than the little boy,
who's very much a little boy.
:16:40
There was no prima donnas on the set.
:16:43
It wasn't a glamour picture, a picture
where everybody had to look good.
:16:47
It had a more realistic feel
than many of Hitchcock's pictures,
:16:50
than maybe any of his pictures
except, perhaps, The Wrong Man .
:16:55
(Charlie) I have a feeling
that inside you somewhere,
:16:59
there's something nobody knows about.
:17:02
Something... nobody knows?
:17:04
Something secret and wonderful.
I'll find it out.
:17:08
(Chuckles) It's not good
to find out too much, Charlie.
:17:12
But we're like twins, don't you see?
We have to know.
:17:17
Give me your hand, Charlie.
:17:20
(Wright) The interesting thing
about Shadow of a Doubt
:17:23
is the twins theme,
:17:25
like when she says, "We really
are twins. We think things the same."
:17:30
One piece of direction
I absolutely do remember,
:17:33
I was just lying on a bed
some way or other, having a rest.
:17:36
He said, "No, I want you to lie there
with your handsbehind your head."
:17:40
He told me exactly how it was,
but he explained why.
:17:44
Because," he said, "we are going
to come from a shot of Uncle Charlie
:17:48
lying on the bed."
:17:50
"I want this duplicated."
:17:53
Those kinds of things make it harder
for young Charlie and the audience
:17:58
to accept him as anything except
this charming uncle of hers.