:17:02
Something... nobody knows?
:17:04
Something secret and wonderful.
I'll find it out.
:17:08
(Chuckles) It's not good
to find out too much, Charlie.
:17:12
But we're like twins, don't you see?
We have to know.
:17:17
Give me your hand, Charlie.
:17:20
(Wright) The interesting thing
about Shadow of a Doubt
:17:23
is the twins theme,
:17:25
like when she says, "We really
are twins. We think things the same."
:17:30
One piece of direction
I absolutely do remember,
:17:33
I was just lying on a bed
some way or other, having a rest.
:17:36
He said, "No, I want you to lie there
with your handsbehind your head."
:17:40
He told me exactly how it was,
but he explained why.
:17:44
Because," he said, "we are going
to come from a shot of Uncle Charlie
:17:48
lying on the bed."
:17:50
"I want this duplicated."
:17:53
Those kinds of things make it harder
for young Charlie and the audience
:17:58
to accept him as anything except
this charming uncle of hers.
:18:02
(Bogdanovich) Well, Hitchcock,
right from the beginning,
:18:05
his earliest work to the end,
:18:07
seemed to be very concerned about
making the villain not a cliché,
:18:11
giving the villain a great deal of
character and uniqueness
:18:17
as opposed to, you know,
the guy that flicks the moustache.
:18:22
In Shadow of a Doubt ,
:18:24
Hitchcock goes out of his way to give
him as much depth as possible.
:18:30
The idea of smoke,
or the idea of him taking over.
:18:34
He does seem to take over
the home, the family.
:18:38
(Wright)
Hitchcock sees it in his head first.
:18:40
He makes sure that there's
that smoke coming out of...
:18:43
It might seem easy to read
too much into a Hitchcock film
:18:46
but it always balances out.
:18:48
You can always prove it. It's always so.
:18:51
And I don't think it's ever an accident.
:18:54
I think he sees it that way.
He sees it in his head first.