:18:02
(Bogdanovich) Well, Hitchcock,
right from the beginning,
:18:05
his earliest work to the end,
:18:07
seemed to be very concerned about
making the villain not a cliché,
:18:11
giving the villain a great deal of
character and uniqueness
:18:17
as opposed to, you know,
the guy that flicks the moustache.
:18:22
In Shadow of a Doubt ,
:18:24
Hitchcock goes out of his way to give
him as much depth as possible.
:18:30
The idea of smoke,
or the idea of him taking over.
:18:34
He does seem to take over
the home, the family.
:18:38
(Wright)
Hitchcock sees it in his head first.
:18:40
He makes sure that there's
that smoke coming out of...
:18:43
It might seem easy to read
too much into a Hitchcock film
:18:46
but it always balances out.
:18:48
You can always prove it. It's always so.
:18:51
And I don't think it's ever an accident.
:18:54
I think he sees it that way.
He sees it in his head first.
:19:04
(Whispering) Oh, please let me...
:19:07
Oh, please!
:19:12
Oh, thank you.
:19:14
Really, Charlie, you know as well
as I do the library closes at nine.
:19:17
If I make one exception,
I'll have to make a thousand.
:19:20
I'm sorry, Mrs Cochran, but there's
something in the paper I've got to see.
:19:23
(Boyle)
The way Hitchcock described it to me,
:19:26
where she finds the newspaper piece...
:19:29
He said, "When she sees it,
:19:32
and she recognises that...
:19:35
indeed Uncle Charlie is...
:19:38
not all he pretends to be,
:19:41
I want the camera to go...
(Inhales Sharply)
:19:43
like an intake of breath."
:19:45
Which I thought was terrific.