:19:04
(Whispering) Oh, please let me...
:19:07
Oh, please!
:19:12
Oh, thank you.
:19:14
Really, Charlie, you know as well
as I do the library closes at nine.
:19:17
If I make one exception,
I'll have to make a thousand.
:19:20
I'm sorry, Mrs Cochran, but there's
something in the paper I've got to see.
:19:23
(Boyle)
The way Hitchcock described it to me,
:19:26
where she finds the newspaper piece...
:19:29
He said, "When she sees it,
:19:32
and she recognises that...
:19:35
indeed Uncle Charlie is...
:19:38
not all he pretends to be,
:19:41
I want the camera to go...
(Inhales Sharply)
:19:43
like an intake of breath."
:19:45
Which I thought was terrific.
:20:02
(Wright) I think you can't work
:20:05
without realising
how important the camera is
:20:08
and how the camera becomes
either you or the other character,
:20:13
or another character.
:20:15
So it's very much something
that is part of the story.
:20:18
(Emma) Charles, I promised Mrs Greene,
the president of our club, you'd talk,
:20:23
and she wants to know
what you're going to talk about.
:20:25
(Bogdanovich)
His speech at the dinner table,
:20:28
when he talks about women
and how life is a sty,
:20:32
Cities are full of women,
middle-aged, widows, husbands dead.
:20:36
Husbands who've spent their lives
:20:38
making fortunes, working and working.
:20:40
Then they die and leave their money
to their wives, their silly wives.
:20:45
(Bogdanovich) Hitchcock
definitely gives Cotten his position.
:20:50
He lets the character say
what he means
:20:53
and give his position paper,
so to speak. "This is how I feel."
:20:57
And what do the wives do,
these useless women?