:33:09
Come in.
:33:12
- Well, he fired me.
- Yes, I know.
:33:14
But I don't care.
You know, I just had to do it, Selina.
:33:16
Well, I don't blame you, Bill.
:33:18
If it wasn't for making
trouble for you...
:33:20
I'd hang a sign on that guy's eye-
"closed for the season."
:33:23
Well, don't let me stop you.
Does that invitation to a sandwich still go?
:33:27
It sure does. The lunchroom?
:33:29
Ah, that sounds like a great place to me.
:33:31
Come in.
:33:35
Say, didn't I tell you
to get out of my theater?
:33:37
And didn't I tell you I'd get out
when I get good and ready?
:33:39
- Well, you're ready now.
- That's right.
:33:42
Ready, willing and able.
:33:44
Come on, Selina.
:33:51
One never knows, do one?
:33:58
That's just like Chick.
He ain't changed a bit.
:34:01
What happened after
you socked him, Uncle Bill?
:34:03
Oh, we had our ups and downs-
:34:05
more downs than ups at first.
:34:08
- Did you keep on dancing?
- Sure. That's when I invented that Bill Williamson step.
:34:11
- You remember that, don't you, honey?
- Yes.
:34:13
Come on, let me see
if you can do it. You ready? Go.
:34:25
Why, you haven't forgotten it.
You did that fine.
:34:28
- What's this?
- Well, well. Look at this.
:34:33
It looks like Gabe
is still out of money.
:34:35
Just like my old man.
:34:38
What happened to Gabe,
Uncle Bill?
:34:40
Oh, we kind of lost track
of him for a few years.
:34:42
- Did he quit promotin'?
- Well, he did and he didn't.
:34:44
You see, I was trying
to open a show in New York...
:34:47
and having a peck of a lot
of trouble about money.
:34:50
I was walking down the street
in Harlem that day.
:34:58
- No, it ain't.
- Yes, it is.