:49:23
I can't give you
:49:27
Anything but love
:49:43
When did you go
to Hollywood, Uncle Bill?
:49:45
Honey, the first time
I went to Hollywood was 1936.
:49:48
- Did Miss Selina go with you?
- No, she didn't go.
:49:51
- How come?
- When two people can't seem the same thing the same way...
:49:55
life just gets powerful complicated.
:49:58
You see, honey,
this is the living room...
:50:00
here's your room,
and this is the nursery.
:50:04
Oh, that's swell, Bill. That's about
the prettiest little house I ever saw.
:50:08
- But not for us.
- Why not for us?
:50:11
You know why not for us. We're show
people, on the road day in and day out.
:50:15
We don't have time
to live in a house like that.
:50:18
Sure, that's the way it's been
up until now, honey. But-
:50:20
Oh, but Bill, we've been
over this a thousand times.
:50:23
I know, but since I've got that Hollywood
contract, we'll have plenty of money.
:50:27
- You won't have to go on workin'. You can quit.
- Quit?
:50:30
Sure. You worked long enough.
It's time that you settled down.
:50:34
And we have a home and-
:50:36
But, Bill, I don't wanna quit.
:50:38
I wouldn't be happy unless
I went on with my work, just like you.
:50:42
Singing's in my blood.
:50:45
I'm sorry, Selina. I just thought
maybe you'd see it different now.
:50:51
Bill, I'm afraid I'll never
see it differently.
:50:54
Never.
:50:57
I'm sorry too.