:57:02
Just a minute. The girls
are too busy to see you.
:57:05
-Glad to see you.
-Glad to see you.
:57:18
That's fine, John. Play billiards
while my theatre falls apart.
:57:22
-Good afternoon.
-What's good about it?
:57:24
lt's another day for me to worry about
how l'll open my show.
:57:28
Now l'm sending roses
every 1 5 minutes.
:57:31
You got me this way. Do something.
l tried everything this side of kidnapping.
:57:36
What is this side of kidnapping?
:57:38
Please don't be humorous.
:57:40
You're humorous, both of you.
:57:42
You're attempting the impossible:
:57:44
Lure a girl away from a guy
she loves with things.
:57:48
lt won't work, and l'm dame enough to
be glad of it. What do you think of that?
:57:53
l had the same problem with her
grandmother. l mean, her mother.
:57:57
Whose mother?
:58:01
Nobody's, believe me.
:58:04
But it can be done.
l want that child on Broadway.
:58:07
Everything's set and ready to go.
:58:09
-Frame's built, and no face to go in it.
-You'll have the face. Let me work on it.
:58:13
Gladly, only work fast, will you? l--
:58:16
lmmediately. Tomorrow night, in fact.
Keep the evening open.
:58:20
Enter the mastermind.
:58:25
Good afternoon, gentlemen.
:58:34
All is clear, master.
You may bring forth the treasure.
:58:41
No photographers, no adoring public.
Zounds, princess, you are slipping.
:58:46
-Listen to what l'm saying.
-You said Mr. Coudair was sentimental.
:58:50
l said he can be sentimental
on his own time. Then what?
:58:53
Look.
:58:56
-Genius, explain it to him.
-Mr. McGuire--
:58:59
You don't need to explain. You want
to skip the show and go to a party.