:58:01
Nobody's, believe me.
:58:04
But it can be done.
l want that child on Broadway.
:58:07
Everything's set and ready to go.
:58:09
-Frame's built, and no face to go in it.
-You'll have the face. Let me work on it.
:58:13
Gladly, only work fast, will you? l--
:58:16
lmmediately. Tomorrow night, in fact.
Keep the evening open.
:58:20
Enter the mastermind.
:58:25
Good afternoon, gentlemen.
:58:34
All is clear, master.
You may bring forth the treasure.
:58:41
No photographers, no adoring public.
Zounds, princess, you are slipping.
:58:46
-Listen to what l'm saying.
-You said Mr. Coudair was sentimental.
:58:50
l said he can be sentimental
on his own time. Then what?
:58:53
Look.
:58:56
-Genius, explain it to him.
-Mr. McGuire--
:58:59
You don't need to explain. You want
to skip the show and go to a party.
:59:04
The second show.
:59:05
lt's an anniversary dinner
at Mr. Coudair's house.
:59:08
-lmagine, eating in a house.
-lt's Vanity's 50th birthday.
:59:12
Why waste good food
on an old hag like that?
:59:14
Will you please stop clowning?
:59:17
l'm the Golden Wedding Girl,
so he wants me there.
:59:19
And because you work
at Danny McGuire's, l want you there.
:59:23
Do you only think of what you want?
:59:26
Mr. Coudair has the right
to want something.
:59:28
Once won't hurt. The guy's sentimental.
lt can't happen again for 50 years.
:59:33
You think he'd be sentimental
if she worked in Wheaton's show?
:59:36
He wouldn't. Why should he
kick our show around...
:59:39
-...because it's Brooklyn?
-lt's not kicking your show around...
:59:42
...that he's brought you more business
because of me than you've had before!
:59:48
l wondered when that was coming.
:59:51
That's what the ads read. ''Come to
Danny McGuire's to see Rusty Parker.''
:59:55
All the more reason you should
be there when they come.
:59:58
l'll be there, Danny, for the first show.
But after the first show, l'm leaving.