:20:05
She had been strangled.
Her lovely face was all...
:20:14
No, I can't stay here.
:20:23
Then how would it be if we took away
all these things that remind you so of her?
:20:27
The painting, all this furniture.
Shut it away so you can't even see it?
:20:32
Suppose we make it a new house
with new things, beautiful things...
:20:35
for a new, beautiful life for us.
:20:37
Yes, and then later,
we'll have people here and parties again.
:20:43
- Don't you want to?
- Later, yes, but not just at once.
:20:48
Let us have our honeymoon here
by ourselves for a little longer.
:20:51
- Yes. I only...
- I know.
:20:55
Later.
:20:58
Now, where should we put
all these things?
:21:01
There is an attic under the roof.
:21:02
All her trunks are up there
and all her costumes.
:21:05
Then we'll put all these there, too,
and then we'll board it up...
:21:08
so you'll never have to see it again,
never even think of it.
:21:12
That piano traveled with her everywhere
in the great days.
:21:17
It will need tuning terribly.
Look, here's some of her music.
:21:21
Her score of Theodora, just as she left it.
:21:24
We'll send those upstairs with all the rest.
:21:26
No, not her music.
Perhaps later I might like to study again.
:21:29
I'd like to have her scores to study from.
:21:34
- What makes you play that?
- Why not?
:21:36
That was her great song.
:21:38
She always used it in her concerts
for her last encore.
:21:41
It was everybody's favorite.
:21:52
Here's an old letter.
:21:55
"Dear Miss Alquist,
I beg of you to see me just once more.
:21:58
"I have followed you to London."