:21:01
There is an attic under the roof.
:21:02
All her trunks are up there
and all her costumes.
:21:05
Then we'll put all these there, too,
and then we'll board it up...
:21:08
so you'll never have to see it again,
never even think of it.
:21:12
That piano traveled with her everywhere
in the great days.
:21:17
It will need tuning terribly.
Look, here's some of her music.
:21:21
Her score of Theodora, just as she left it.
:21:24
We'll send those upstairs with all the rest.
:21:26
No, not her music.
Perhaps later I might like to study again.
:21:29
I'd like to have her scores to study from.
:21:34
- What makes you play that?
- Why not?
:21:36
That was her great song.
:21:38
She always used it in her concerts
for her last encore.
:21:41
It was everybody's favorite.
:21:52
Here's an old letter.
:21:55
"Dear Miss Alquist,
I beg of you to see me just once more.
:21:58
"I have followed you to London."
:22:02
It was written two days
before she was murdered.
:22:05
- Where did you find that?
- In this score. She must have left it there.
:22:08
It was written by somebody
called Sergis Bauer.
:22:11
Give it to me!
:22:14
- Gregory, what is it?
- I'm sorry...
:22:18
I didn't mean to be so violent.
:22:21
It's just that...
:22:23
Why does this letter upset you so?
:22:26
It's not the letter.
It's just that I am upset for you.
:22:31
All these things are reminding you of her.
:22:33
You said that you had lost your fears,
and now everything you touch here...
:22:37
brings them back.
:22:40
While you are afraid of anything,
there cannot be any happiness for us.
:22:43
You must forget her.
:22:45
No, not her.
:22:49
Only what happened to her.
:22:59
Elizabeth! I say! Elizabeth!