:44:01
You promised to sing
it for me, you know.
:44:03
Oh, I'm sorry,
:44:04
I'm afraid I don't
know it from memory.
:44:05
No, no, no, I won't
take no for an answer.
:44:07
You put the music for
it here in your case.
:44:09
I'm afraid I don't
feel like singing.
:44:12
I beg your pardon?
:44:13
What did I tell you.
:44:15
Interesting, isn't it?
:44:17
Interesting.
:44:18
By Jove he's right.
:44:46
Don't come any nearer.
:44:47
If you do, I'll...
:44:51
I won't come any
nearer, I promise.
:44:53
But may I talk to you?
:44:56
My dear Sheila.
:44:58
I don't know yet
:45:00
just what you're in
such mortal terror of,
:45:01
but I'm sure that
whatever it is,
:45:03
you are an
innocent victim.
:45:04
I don't know what
you're talking.
:45:07
Well, to begin with,
:45:08
the way you acted the
first time you saw me
:45:10
was a bit of a blow
to my vanity, you know.
:45:11
Men are such vain
creatures, aren't they?
:45:13
So I prefer to
think that it was
:45:15
something unexpected
that you found
in your music case
:45:17
that caused you to
react in such fashion.
:45:19
I saw nothing.
:45:20
Oh, come now,
you must have.
:45:22
And so since the quickest
way to relieve fear
:45:23
is to share the cause of
it with someone else,
:45:26
please forgive me if
I attempt to find out
:45:27
just what it is that your
music case contains.
:45:29
But I told you...
:45:30
Wait a minute.
:45:32
Come along, won't you.
:45:33
Please.
:45:38
Won't you sit
down, please?
:45:43
Now, it's unlikely to
be important documents,
:45:45
since to know their
significance
:45:47
you'd do need a
time to examine them.
:45:49
But there is one thing
:45:50
which is small enough
to be easily concealed
:45:52
and which is
highly valuable,
:45:53
a jewel or jewels.
:45:55
Then...
:45:57
then there's this
fellow Hassan
:45:59
in whose café you've been
engaged as an entertainer.