:48:01
- Why not?
- You didn't blue-pencil it.
:48:03
Horrors like that
speak for themselves.
:48:06
In fact, I had some ideas about that.
:48:08
Where are they, dear fellow?
We need a score!
:48:11
If you'll allow me.
:48:17
Well, it's the church scene.
:48:19
Get rid of this sentimental hymn
and take a four-square chorale.
:48:23
Something like this.
:48:32
Then I thought all the way through,
a church bell coming in.
:48:45
All this on the strings.
:48:52
Then as the priest appears,
the brass.
:49:02
Shall I play you
The Dance of the Red Shoes?
:49:11
Thank you, Mr Craster. Thank you.
:49:18
I want you to change everything.
I want a new score.
:49:23
There you are, Mr Lermontov.
:49:26
And where's the orchestration?
:49:28
- When do you want it?
- Yesterday.
:49:30
You wanted to work. Go home and work.
:49:33
I don't want to see you
till it's done.
:49:35
You won't!