:49:02
Shall I play you
The Dance of the Red Shoes?
:49:11
Thank you, Mr Craster. Thank you.
:49:18
I want you to change everything.
I want a new score.
:49:23
There you are, Mr Lermontov.
:49:26
And where's the orchestration?
:49:28
- When do you want it?
- Yesterday.
:49:30
You wanted to work. Go home and work.
:49:33
I don't want to see you
till it's done.
:49:35
You won't!
:50:00
Why aren't you in bed?
:50:02
- 0h, you gave me quite a fright.
- I meant to.
:50:09
Why aren't you in bed?
:50:12
I was much too excited to sleep,
so here I am.
:50:15
- Are you? I haven't seen you.
- Thank you.
:50:18
By the way,
you haven't seen me, either.
:50:20
- Has he sent you to bed, too?
- No.
:50:24
I'm just working on the score
of my new ballet, The Red Shoes.
:50:28
Is that my ballet, too?
:50:31
Yes, I suppose it is.
:50:48
I wonder what it feels like
to wake up in the morning
:50:51
and find oneself famous.
:50:53
You're not likely to know
if you stay here talking much longer.
:50:57
- So, good luck.
- Good luck.