1:11:03
I had no idea
how much I missed it.
1:11:05
We've missed you too, dear.
1:11:07
We'll work again, won't we, Chief?
We'll make our greatest picture.
1:11:10
- That's why I want to talk to you.
- It's a good script, isn't it?
1:11:14
Well, it has
some good things in it, yes.
1:11:17
But it'd be
a very expensive picture.
1:11:20
I don't care about the money.
I just want to work again.
1:11:24
You don't know what it means
to know that you want me.
1:11:27
Nothing would please me more,
Norma, if--
1:11:29
if it were possible.
1:11:31
And remember, I don't work
before 1 0:00 in the morning...
1:11:33
and never after 4:30
in the afternoon.
1:11:36
We're ready for the shot,
Mr. DeMille.
1:11:38
All right.
1:11:39
Norma, why don't you
just sit here and watch.
1:11:43
You know, pictures
have changed quite a bit.
1:11:46
All right, let's go.
1:11:49
Hit'em all!
1:11:53
Roll'em.
1:11:55
Speed!
1:12:05
You see those offices there,
Mr. Gillis?
1:12:09
They used to be
Madame's dressing room.
1:12:11
The whole row.
1:12:14
That didn't leave much
for Wallace Reid.
1:12:16
Oh, he had a great big
bungalow on wheels.
1:12:19
I had the upstairs.
1:12:21
You see where it says
"Readers Department"?
1:12:25
I remember my walls were covered
with black patent leather.
1:12:38
I'll be with you in a minute.
1:12:52
Here's that funny car
Gordon Cole was talking about.
1:12:55
- Yeah.
- Mind if we look it over?
1:12:57
What's so funny about it?