1:12:05
You see those offices there,
Mr. Gillis?
1:12:09
They used to be
Madame's dressing room.
1:12:11
The whole row.
1:12:14
That didn't leave much
for Wallace Reid.
1:12:16
Oh, he had a great big
bungalow on wheels.
1:12:19
I had the upstairs.
1:12:21
You see where it says
"Readers Department"?
1:12:25
I remember my walls were covered
with black patent leather.
1:12:38
I'll be with you in a minute.
1:12:52
Here's that funny car
Gordon Cole was talking about.
1:12:55
- Yeah.
- Mind if we look it over?
1:12:57
What's so funny about it?
1:13:06
Just so you don't think
I'm a complete swine...
1:13:08
if there's anything in Dark Windows
you can use, it's all yours.
1:13:11
For heaven's sakes!
Come on in, have a chair.
1:13:14
I mean it.
It's no good to me anyway.
1:13:16
- Help yourself.
- Why should you do that?
1:13:18
If you get 1 00,000 for it,
buy me some chocolate creams.
1:13:21
If you get an Oscar,
I get the left foot.
1:13:23
I'd take you up on that.
1:13:25
I'm just not good enough
to do it all by myself.
1:13:27
What about all your ideas?
1:13:29
Well, see if they make sense.
1:13:31
To begin with, you should throw out
all that psychological mess--
1:13:34
exploring a killer's sick mind.
1:13:36
Psychopaths sell like hotcakes.
1:13:38
This is a story about teachers--
their threadbare lives and struggles.
1:13:42
I see her teaching day classes
while he teaches night school.
1:13:45
The first time they meet--
1:13:47
I haven't time to listen
to the whole plot.
1:13:50
- I'll make it short.
- I'm sorry. It's your baby now.
1:13:52
Couldn't we work in the evenings?
Six o'clock in the morning?
1:13:55
This next month
I'm completely at your disposal.
1:13:57
- Artie's out of town.
- What's Artie got to do with it?