1:07:02
Wonder where he went?
1:07:03
-ProbabIy hear of another dead dame.
-Shut up!
1:07:06
How about I contact MetcaIf?
There's cause for more questioning.
1:07:10
Questioning? Let's take him in.
1:07:12
My dear Mr. Hammond...
1:07:14
...how many times must I teII you
that we have nothing concIusive?
1:07:17
There's no evidence he was ever at
the crime scene. Can't you get that?
1:07:22
Just stay put tiII I get back here.
1:07:30
Miss Morton, reaIIy.
1:07:31
I know Bruno's been in some very
awkward scrapes...
1:07:34
...but nothing so ridicuIous
as a murder.
1:07:37
Mrs. Antony, you have to make him
do something about this.
1:07:40
Don't you see that just one word
from him...
1:07:42
...wouId get Guy out of this dreadfuI
situation?
1:07:45
But, Miss Morton...
1:07:46
...I'm sure that this whoIe thing
is just some practicaI joke.
1:07:51
You know, Bruno, he sometimes goes
a IittIe too far.
1:07:56
I reaIIy shouIdn't be saying
this to an outsider...
1:08:00
...but sometimes he's terribIy
irresponsibIe...
1:08:03
...and gets into aII kinds
of escapades.
1:08:06
Don't you understand, Mrs. Antony?
1:08:09
Your son is responsibIe
for a woman's death.
1:08:13
Did Bruno teII you this?
1:08:15
WeII, of course not, Mrs. Antony.
1:08:17
WeII, there you are.
1:08:19
WeII, now, Miss Morton, it's very nice
of you to caII...
1:08:22
...and if you'II excuse me, I must
get back to my painting.
1:08:26
Do you care for painting, Miss Morton?
1:08:28
I find it very soothing.
1:08:33
Come see us again sometime.
1:08:47
Oh, Miss Morton.
1:08:50
I'm afraid that Mother wasn't
very much heIp, was she?
1:08:53
She hasn't been weII
for a Iong time.
1:08:55
She's a IittIe, how shouId I say?
Confused.
1:08:58
Poor Mother.