1:08:00
...but sometimes he's terribIy
irresponsibIe...
1:08:03
...and gets into aII kinds
of escapades.
1:08:06
Don't you understand, Mrs. Antony?
1:08:09
Your son is responsibIe
for a woman's death.
1:08:13
Did Bruno teII you this?
1:08:15
WeII, of course not, Mrs. Antony.
1:08:17
WeII, there you are.
1:08:19
WeII, now, Miss Morton, it's very nice
of you to caII...
1:08:22
...and if you'II excuse me, I must
get back to my painting.
1:08:26
Do you care for painting, Miss Morton?
1:08:28
I find it very soothing.
1:08:33
Come see us again sometime.
1:08:47
Oh, Miss Morton.
1:08:50
I'm afraid that Mother wasn't
very much heIp, was she?
1:08:53
She hasn't been weII
for a Iong time.
1:08:55
She's a IittIe, how shouId I say?
Confused.
1:08:58
Poor Mother.
1:09:01
You know, I'm very upset with Guy.
1:09:03
He shouIdn't have sent you
on an errand Iike this.
1:09:06
Guy doesn't know I'm here,
Mr. Antony.
1:09:10
He's Ied you up the garden path,
I'm afraid.
1:09:13
He must be very desperate,
to try to invoIve me.
1:09:16
I've been protecting him ever since
that conversation on the train...
1:09:19
...when he toId me
how much he hated his wife.
1:09:26
He tried to get me to go back
to the isIand one night after dark...
1:09:30
...to pick up his Iighter
so the poIice wouIdn't find it?
1:09:34
He dropped it there, you know, when--
WeII, that night.
1:09:38
AII the poIice are waiting for...
1:09:40
...is one piece of evidence
to convict Guy.
1:09:44
It's had me so worried.
1:09:46
But of course, I couIdn't do it.
It wouId be too risky.
1:09:50
And besides, it wouId make me
an accessory.
1:09:55
Oh, Miss Morton. I understand
how you feeI.