:33:00
Your kisses belong to me.
:33:03
I have my honor to defend too.
:33:05
You're right, I don't deny it,
but let me explain.
:33:09
- You see that?
- Why is it my fault?
:33:13
Look at yourself.
Clean up your dress.
:33:16
You know
what a woman's real dress is?
:33:20
Her skin!
:33:32
This outing has turned into
a real drag.
:33:37
Listen, I've got a suggestion.
:33:39
I'll take the train back to Turin
with Rosetta.
:33:41
I'll have a talk with Rosetta.
:33:43
Forgive me if I'm butting in...
:33:45
but sometimes a stranger can help
more than a friend.
:33:47
Rosetta is very upset, and she doesn't
want you to see her like this...
:33:51
whereas she doesn't mind
if I do.
:33:53
She wanted to go on her own,
but I don't think that's a good idea.
:33:56
This way I'll get back
to Turin a little earlier.
:33:59
I'll have time to stop by the salon
and see how things are going.
:34:03
I knew this involved me somehow.
Fine, boss, let's go.
:34:06
No, you stay. Carlo's there.
You don't have to go.
:34:11
This is nonsense.
For one thing, the trains are horrible.
:34:13
Clelia, if you need me to,
I'll take you.
:34:16
Trust me.
It's better this way.
:34:18
This has turned out all wrong!
:34:21
Good-bye.
I'll call you later.
:34:24
- Should I go with her?
- No, stay here. Let them go alone.
:34:27
- Where did you disappear to?
- I was right over there.
:34:30
One, two, three, four.
:34:33
My poor little architect,
it's your turn to take the sleeping pills.
:34:36
- I've got Momina.
- Maybe not.
:34:40
Why don't you mind
your own business?
:34:42
I'm sorry, but you slap me
so I get back at you...
:34:45
and then I feel bad.
:34:47
So that's how it is, eh?
:34:54
What's that, Lorenzo?
:34:56
Nothing, just a sketch of Rosetta.