1:21:02
Last winter in Martinique...
1:21:05
I got into a fight with some sailors.
I was in the hospital for a month.
1:21:10
But it was worth it.
Even that piddling brawl out there...
1:21:13
made me feel better than I have in weeks.
1:21:14
And I know why.
1:21:16
Because suddenly
there's something in front of you...
1:21:18
something you can hit at.
1:21:20
He stands there, you smash his teeth in,
or he does it to you.
1:21:22
Either way, it's all right.
There's a decision.
1:21:26
- Two absinthes.
- Right away.
1:21:28
Three absinthes.
1:21:46
- Is everything all right?
- Yes, brigadier.
1:21:54
Dear Theo, I'm so happy
to have Gauguin here.
1:21:58
Not to be alone anymore.
1:22:00
It's of tremendous value to me
to see him work.
1:22:03
He's a very great artist, and a good friend.
1:22:07
Paul.
1:22:09
It doesn't seem to work. Doesn't work.
1:22:14
Paul, could you come over
and take a look?
1:22:16
Vincent, I'm trying to catch this light.
1:22:19
I remember what you said.
I soften my colors, I try to control them.
1:22:23
- Then I lose everything.
- Go back and try again.
1:22:27
That's what I mean.
You see how pale and thin that sky is?
1:22:31
You use the same brush strokes all over.
1:22:34
- It's got no texture, no energy. It's all flat.
- That's the way I see it!
1:22:38
Flat!
1:22:44
We argue, of course,
mainly about painting.
1:22:48
And our arguments are so electric...
1:22:51
that I come out of them often
with my brain tired...
1:22:54
like a run-down battery.