1:22:00
It's of tremendous value to me
to see him work.
1:22:03
He's a very great artist, and a good friend.
1:22:07
Paul.
1:22:09
It doesn't seem to work. Doesn't work.
1:22:14
Paul, could you come over
and take a look?
1:22:16
Vincent, I'm trying to catch this light.
1:22:19
I remember what you said.
I soften my colors, I try to control them.
1:22:23
- Then I lose everything.
- Go back and try again.
1:22:27
That's what I mean.
You see how pale and thin that sky is?
1:22:31
You use the same brush strokes all over.
1:22:34
- It's got no texture, no energy. It's all flat.
- That's the way I see it!
1:22:38
Flat!
1:22:44
We argue, of course,
mainly about painting.
1:22:48
And our arguments are so electric...
1:22:51
that I come out of them often
with my brain tired...
1:22:54
like a run-down battery.
1:23:11
- What are you nervous about?
- We should be out there working.
1:23:14
- Look at that sunlight, Gauguin.
- Yeah.
1:23:15
- Listen to that wind.
- Wind doesn't show in a painting.
1:23:20
- What about it?
- I'm doing fine right here...
1:23:23
or I would be if you'd only like some place.
1:23:26
I'm tired of being cooped up here.
1:23:28
It wouldn't hurt you to work inside
for once.
1:23:30
- Use your imagination, invent.
- Why should I invent here...
1:23:34
when nature does it so much better
out there?
1:23:36
Go out there then, who's stopping you?