:49:01
You promised to join us
when we got a booking.
:49:03
- We have one in Marseille.
- I'm happy for you.
:49:06
- The booking is for the act. All four.
- Get someone else.
:49:09
Impossible.
:49:23
Get out. I said get out.
:49:25
She will leave you too. She will
spit on you just like she spit on us.
:49:43
The costume's split.
:49:46
Mike...
:49:48
you didn't do that for the act.
:49:55
I can remember when
those boys had a good act.
:49:57
- Quiet, with no screaming, no fighting.
- Mike...
:50:01
Then you came. The routines and quality
went, but the spotlight stayed on you.
:50:06
Why must you hate me?
Why always hate?
:50:10
When this engagement ends, you're out.
Tino and me work alone, as we planned.
:50:15
With that stick you walk, but with Tino you
fly. You think you can live through Tino?
:50:21
- Ask Tino who makes him live.
- No more tricks, Lola. You're out.
:50:24
I could mean more to Tino than you.
I can take him whenever I want.
:50:30
That trick I've still got.
:50:33
For your own sake, Lola, get out.
:50:36
Or one night these hands
won't be there to catch you.
:50:41
Allez-y doucement, bon Dieu!
Dégagez le passage, espèce d'idiot.
:50:45
Appelez-moi le vétérinaire
immédiatement.
:50:48
- What happened?
- The flames. The horse shied.
:50:50
Pepe! Bobo! Max! In the ring!
Make plenty of noise! Allez!
:50:57
All right. We follow with the bears. Why
aren't the bears ready? Forget the bears.