:06:00
How are things at the conservatory?
:06:02
-So-so. We're rehearsing.
-Rehearsing what?
:06:05
A symphony. Haydn's 88th.
:06:08
I always tell you what I'm doing
but you never tell me what you're doing.
:06:11
That's because I love you.
:06:13
I want to protect you from these sordid
matters I have to deal with.
:06:18
-Now go back to your cello.
-Yes, Papa.
:06:20
Wouldn't you like some breakfast?
:06:22
Later. I have some work to do
in the darkroom.
:06:25
I'm expecting a client.
:06:29
When Mama was alive,
I'm sure you discussed your work with her.
:06:32
Your mama was a married woman.
:06:35
I'm so glad.
:06:52
-Papa, your coffee's getting cold.
-Just a few minutes.
:06:55
-You can play detective later.
-All right.
:07:01
-Who's this man?
-Ariane, please!
:07:04
He's very attractive.
:07:06
He's very objectionable, and quite immoral.
:07:10
-He is?
-And utterly no good.
:07:12
-What did he do?
-That's enough.
:07:20
I don't think I've ever seen
his face in the files.
:07:22
Ariane! Have you been into my files?
:07:25
No, Papa.
:07:27
I mean, yes, Papa.
Just a few of them, when I was dusting.
:07:30
Ariane, you've been told a thousand times
to stay away from those files.
:07:34
I've been trying, Papa,
but they're so fascinating.
:07:37
At the conservatory, all the girls envy me
because I have my private library.
:07:42
Library? This is not a library.
This is a sewer.
:07:47
How can you say that?
Some of these cases are so romantic.
:07:50
-I've read them time and time again.
-What cases?
:07:54
Well, I guess my favorite one is in file "D."
:07:58
The Duchess of Devontry
and her Alpine guide.