1:51:03
What's the matter?
Just because I wash my hair so often?
1:51:06
I had no right to expose you
to all this dirt I bring into the house.
1:51:10
Fly-by-night affairs and counterfeit love
and disillusionment and heartbreak.
1:51:15
I would have been heartbroken
if you had sent me away.
1:51:18
I guess I've been a very poor father.
1:51:20
That's a very poor guess.
You've been a wonderful father.
1:51:25
Well, I'll try to do better from now on.
1:51:28
I love you very much, Papa.
1:51:31
And I love you more.
1:51:33
Now you go to your room.
I want to wind up this case.
1:52:03
Come in.
1:52:07
Good afternoon, Mr. Flannagan.
1:52:09
Good afternoon. Any news?
How are we doing?
1:52:11
We're doing fine, Monsieur.
I have the complete report.
1:52:14
You do? Well, let's have it.
1:52:18
-Is that her file?
-No, that's yours.
1:52:22
-This is hers.
-Just one page, you call that complete?
1:52:24
It's right up to the minute, Monsieur.
Completely complete.
1:52:28
-Her name is Ariane.
-Ariane?
1:52:31
I'd have never guessed that
in a million years.
1:52:34
She's a student at the music conservatory.
1:52:36
Student?
1:52:37
Plays the cello.
1:52:39
The cello?
I knew a dame that played the sax ophone.
1:52:42
Yes, you did. Atlantic City, 1947.
1:52:47
But to get back to this case,
the young lady lives on the Left Bank.
1:52:50
-Alone?
-No, Monsieur.
1:52:53
-With a man?
-Yes, Monsieur.
1:52:56
Her father.
1:52:59
Her father? Are you sure?