1:52:03
Come in.
1:52:07
Good afternoon, Mr. Flannagan.
1:52:09
Good afternoon. Any news?
How are we doing?
1:52:11
We're doing fine, Monsieur.
I have the complete report.
1:52:14
You do? Well, let's have it.
1:52:18
-Is that her file?
-No, that's yours.
1:52:22
-This is hers.
-Just one page, you call that complete?
1:52:24
It's right up to the minute, Monsieur.
Completely complete.
1:52:28
-Her name is Ariane.
-Ariane?
1:52:31
I'd have never guessed that
in a million years.
1:52:34
She's a student at the music conservatory.
1:52:36
Student?
1:52:37
Plays the cello.
1:52:39
The cello?
I knew a dame that played the sax ophone.
1:52:42
Yes, you did. Atlantic City, 1947.
1:52:47
But to get back to this case,
the young lady lives on the Left Bank.
1:52:50
-Alone?
-No, Monsieur.
1:52:53
-With a man?
-Yes, Monsieur.
1:52:56
Her father.
1:52:59
Her father? Are you sure?
1:53:01
-Positive. As for the other men in her life--
-How many?
1:53:05
Just one, Monsieur...
1:53:07
...you.
1:53:09
Me?
1:53:10
That's right. I know everything about her
from the day she was born.
1:53:14
She's never even been in love before.
1:53:16
Oh, come now.
1:53:18
You see, Monsieur,
she's not what you'd call a "dame."
1:53:21
Why, the little liar, playing games with me.
1:53:24
Made me so mad I was almost ready
to pack up and leave Paris.
1:53:27
Maybe that would have been
a good idea, Monsieur.
1:53:30
Canadian ice-hockey player...
1:53:33
...AIpine guide, dimples.
1:53:35
What an imagination.
1:53:37
Yes, she is very imaginative, Monsieur.
1:53:39
-Why do you suppose she did it?
-Why?
1:53:41
I suppose she was trying
to put herself in the same class with you...
1:53:45
...but that, of course, is impossible.
1:53:48
I think I'll skip the Riviera this summer
and stick around here a little longer.
1:53:52
She's too much fun.
1:53:55
You've had your fun, Monsieur.
You'd better leave before it's too late.
1:53:59
Too late for what?