:53:02
No. No, no,
no, no, no, no.
:53:08
We must have some comedy
in this scene.
:53:11
- We'll retake it today.
- Very good, sir.
:53:15
The thing about this scene is
I must have some comedy in it.
:53:18
Now you do understand, darling,
don't you? You see,
:53:20
that instead of taking the first trunk,
I want you to ask to see a red one.
:53:24
And when he brings that,
I want you to look around...
:53:26
- And ask... excuse me a second, darling...
- [Woman] Sorry.
:53:29
for a white one,
then when he brings the white one,
:53:32
then you ask for a different one...
this one, the blue one.
:53:37
And you, Michael, bring the trunks one
by one, getting more and more fed up.
:53:40
- [Michael] I'll keep it light.
- I'm sure you will.
:53:42
Then we'll end up on some sort of
a gag I'll think of in a minute.
:53:45
- Understand? What?
- I don't feel it.
:53:49
- Don't feel it.
- Don't feel it, just do it!
:53:53
- All right. Positions, everybody.
- [Man] Anyone seen Viv?
:53:56
- [Director] Who?
- Oh, Diane's stand-in.
I want to light the set.
:53:59
- [Director]
No, Phil. I want to run it first.
- [Man] All right, quiet.
:54:02
[Director]
All right. Ready? Action.
:54:04
- [Michael] Here we are, Madam.
- [Diane]
Oh, I'd like to see one in red.
:54:07
Certainly, Madam.
:54:10
[Director Muttering]
:54:17
Do you remember
doing it?
:54:19
Right. Ready for you,
and back you go.
:54:23
- Play for a close-up there.
- Um, do you have one in white?
:54:26
Certainly, Madam.
:54:29
[Director]
There's a white one there behind you.
:54:32
Right here. Again.
:54:37
Good, Michael.
Excellent.
:54:40
All right.
Back again.
:54:43
- Oh, um, do you have one in blue?
- Certainly, Madam.
:54:49
[Director]
That's it, and back you go.
:54:52
[Continues, Indistinct]
:54:54
That's it. Just take what you can
without overdoing it.