Lolita
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1:23:01
-...l don't know why we're discussing--
-Why don't you let me have a look...

1:23:04
...at the accommodation that you have,
and take it in for a second...

1:23:08
...then I can have a word with
George Swine? It would be simple.

1:23:11
No, you really shouldn't worry
about either of us.

1:23:14
Which reminds me,
I should go upstairs now.

1:23:16
You're going because you think that...
1:23:18
...me being a policeman,
I'd think you were sort of suspicious?

1:23:21
I don't think that at all.
I think you're really normal.

1:23:24
-You don't have to go because of that.
-No. It's been very nice talking to you.

1:23:28
Before you go, I was wondering whether
maybe in the morning, you know...

1:23:32
-...me being lonely and normal--
-We have to get up at the crack of dawn.

1:23:35
-We can have breakfast.
-That's very nice, but--

1:23:38
I can arrange it with George Swine.
He could have it laid out.

1:23:41
Well, thank you so much. Goodnight.
1:23:44
You have a most interesting face.
Goodnight.

1:23:50
Excuse me.
1:23:52
Hush, hush, she's asleep.
1:23:54
Good evening. I brought the cot, sir.
1:23:56
Yes. I see you did.
1:23:59
We don't need it now, so take it away.
1:24:01
-You don't need the cot?
-No, she's asleep.

1:24:03
-I won't make any noise.
-That's not the point.

1:24:06
Two of the troopers agreed to double up.
That's how I got the cot, sir.

1:24:09
Well, in that case, all right...bring it in.
1:24:12
But no noise, please. Quietly.

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