:11:01
And you know about Baudelaire.
:11:03
He wrote his best work
in the boudoir with a quill pen
:11:06
on the naked...
:11:10
...back of his mistress.
:11:12
Now, what would you have me use
for inspiration? An electric typewriter?
:11:15
l don't care what you use,
as long as l'm not married to it.
:11:19
But you do need something.
:11:20
ln addition to everything else, your
columns have been getting lousy.
:11:23
- Thank you.
- All right.
:11:25
Due to the grace of your lawyer,
l can't fire you.
:11:27
But one thing l can do:
l can send you
:11:29
as far away from my wife as possible.
:11:31
Now, you get back to New York
and straighten out your affairs...
:11:35
Business.
:11:37
Because next Wednesday,
:11:39
you're leaving for our office in Paris.
:11:41
Paris?
:11:43
Where you'll probably,
l hope, kill yourself.
:11:49
Oh, yeah, but what
a wonderful way to go.
:11:56
Oh, listen, about your wife,
l'm really sorry.
:12:00
lf there's anything l can do...
:12:02
You've done it.
:12:04
Yeah, l guess so.
:12:17
Welcome aboard
Scandinavian Airlines Flight 45,
:12:21
from New York to Paris.
We are now serving snacks,
:12:24
and dinner will be along shortly.
:12:28
''As your magic-carpet jet speeds you
to romantic la belle France--''
:12:32
That's pronounced ''France.''
''The land that was made for love.''
:12:36
Okay, melding a round house,
that's 240, makes 500.
:12:40
- You owe me another ten bucks.
- La belle France,
:12:42
the land that was made for pinochle.
:12:44
Your deal, Sam.
This time l'll knock your brains out.
:12:46
You know, if l had a son,
he would've been just like her.
:12:48
But he'd have combed his hair.
:12:52
Okay, your lead.
This time you'll lose your shirt.
:12:55
ls that so? l'll murder you.
:12:57
l'll marbleize you.