1:01:00
Very briefly. Now I really know.
1:01:03
- I'm sure you do.
- I do.
1:01:06
Only before
I can be quite sure,
1:01:08
I need the expert opinion
of an art dealer.
1:01:11
- An art dealer?
- That's what I said, Inspector.
1:01:14
However, I'll take care of that,
but I need your help.
1:01:17
There's Mr Stringer. If you'll excuse
me, I'll be with you in a moment.
1:01:24
I'm sending him to London
on an important mission.
1:01:27
When he returns tonight, he will have
certain information that I need.
1:01:32
After that, we can force
the killer out into the open.
1:01:36
- Oh, we can, can we?
- Yes, I guarantee it.
1:01:40
How much
do you know about first aid?
1:01:42
First aid?
1:01:44
I'm planning to have
a heart attack at the dance tonight
1:01:47
and I shall be much obliged if
you will pretend to take care of me.
1:01:51
If you...
1:01:52
Later I'll have the doctor
confirm the diagnosis.
1:01:55
May I ask
what you're proposing to do then?
1:01:57
I am proposing to allow myself
to be frightened to death.
1:02:02
Good day, Inspector.
1:02:04
Come, Mr Stringer. Let's go up to
my room. It's easier to talk there.
1:02:11
I'm not entirely sure
about that woman.
1:02:13
George thought
she was working for the police.
1:02:16
Nonsense.
She's a lady and a great horsewoman.
1:02:19
One doesn't necessarily
preclude the other, does it?
1:02:22
I've never heard
of a mounted policewoman.
1:02:24
You know her well.
Is she working for the police?
1:02:28
Oh, no... at least I don't think so.
1:02:31
I believe
she knows the Inspector personally.
1:02:34
What does it matter? You sound
like a man with a guilty conscience.
1:02:38
My conscience is perfectly clear.
1:02:40
Then you have nothing to worry about.
1:02:42
- Hector, now can I have the picture?
- No.
1:02:47
Nobody else wanted it
but George and he's dead.
1:02:50
I told you why,
I'm keeping it myself.
1:02:56
You are please to take this
to London to the art dealers.